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[https://i2.wp.com/www.onemanandhisblog.com/content/images/2015/02/blogger-at-work.jpg] Fascinating read in the wake of Andrew Sullivanās closure of The Dish [http://time.com/3693638/no-blogs-are-not-dead/], in which Ira Stoll explores the present and future of blogging [http://time.com/3693638/no-blogs-are-not-dead/]: > And while
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Slightly baffling e-mail from the Financial Times press team this morning: > Financial Times readers can now receive the FTās daily top picks of global news, comment and analysis from around the web by signing up to FirstFT [http://www.ft.com/firstft]. Concise and engaging, this free email
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Iāve not tried out embedding a Flipboard magazine on here yet: View my Flipboard Magazine. [https://flipboard.com/section/is-curation-the-future-of-journalism%3F-bE2xZr] And now I have. My life is richer, somehow.
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Twitter launches custom timelines [https://dev.twitter.com/blog/introducing-custom-timelines]: > Custom timelines are an entirely new type of timeline ā one that you create. You name it, and choose the Tweets you want to add to it, either by hand or programmatically using the API (more on that below). This
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Last week, the student journalists on the MA courses at City University heard from Paul Bradshaw [http://onlinejournalismblog.com] about curation in the journalist sense. Since then, Iāve been working in the online ālabsā with them on the idea. This post from Euan Semple neatly sums up one of
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Natalie Lloyd [http://www.natalielloyd.co.uk/2012/11/21/our-want-of-curiousities/]: > Seeing through anotherās eyes is one of the perennial wonders of photography. Between the frames of an image, we are invited to consider a constructed reality offered by the photographer; what they chose to include, exclude and
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Mr Whatley on RSS and commonplace books [http://whatleydude.com/2012/08/commonplace-books/]: > However, I prefer reading everything at random. Itās a habit Iāve kept for a long time but itās something thatās recently been re-enforced by learning about the origins of the commonplace book,
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Marvel Comics launches Pinterest and Tumblr accounts [http://marvel.com/news/story/19181/marvel_unveils_pinterest_and_tumblr_accounts] . A visual content publisher promotes itself on visual aggregation and sharing sites. Utterly simply, perfect match. I could do without the ābegging for engagementā comments under every image, though: āWhat do
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I feel rather bad for my colleagues in the national newspaper business this morning. As they trek into their plush central London office, sipping their lattes1, they find the world predicting their doom and destruction. FrƩdƩric Filloux treads a familiar path, contrasting the transitional newspaper approach to selling their stories
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[https://i0.wp.com/www.onemanandhisblog.com/content/images/2011/12/mediapanel3.jpg] A panel discussion the changes in media wrought by the latest technology, moderated by Thomas Crampton [http://www.thomascrampton.com]. Not surprisingly,Ā Paul-FranƧois Fournier, Executive Vice President, Orange Technocentre defines media as, essentially, businesses that produce content,
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I find this a far more frightening talk than the cheery presentation would suggest. IsĀ algorithmicĀ personalisation weeding out challenging content from our news flows? Are web companies pandering to that part of ourselves that prefers non-challenging information? [[via Andrew Sullivan](http://andrewsullivan.thedailybeast.com/2011/05/a-tailored-internet.html)]
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Because sometimes, you just have to get those tabs out of that browser: * Idio and The Guardian partner to develop content delivery service [http://www.themediabriefing.com/article/2011-04-12/idio-and-the-guardian-partner-to-develop-content-discovery-service] ā Iām convinced we should be doing more combination curated and algorithmic aggregation and discovery. Content is no longer rare.
