AI
Newsroom transformation with AI
Nearly two years into the AI revolution, how are real newsrooms using AI?
AI
Nearly two years into the AI revolution, how are real newsrooms using AI?
audience strategy
The doomsayers are out in force. Journalism is dead, they say. Just look at the job losses, the titles closing. But weâre just paying the price of bungling the last digital transition. Letâs not repeat that mistake with the coming one.
digital journalism
10 years I wrote something about restructuring editorial teams for digital, but lacked the courage to publish it. I should have found the courage.
death of print
For years, those of us who have been thinking deeply about the digital translation have been asking the same question: > What happens when one of our national newspapers closes â or goes online only? Anyone who didnât know that day was coming has either been sticking their head in
comics
30 years of selling comics in London [http://www.goshlondon.com/2016/02/gosh-its-our-30th-birthday/] Gosh, a London comics shop, is 30 years old: > So not a bad year for comics, and not a bad year for us: on the 14th February 1986, Gosh! Comics opened its doors for the
change management
The Financial Times has appointed a new innovation editor [http://aboutus.ft.com/2016/01/06/ft-appoints-deputy-editor-and-innovation-editor/#axzz3wOKxDpxR] John Thornhill moves from deputy editor to innovation editor. > Thornhill will oversee the FTâs award-winning global comment team to transform the way the FT commissions, edits and publishes commentary on
books
Gen Xers â or, at least, those of us born before 1985 â have a responsibility, according to an interesting Quartz piece about Michael Harris [http://qz.com/252456/what-it-feels-like-to-be-the-last-generation-to-remember-life-before-the-internet/] : > Being in this situation puts us in a privileged position.âIf weâre the last people in history to know life
comics
Hereâs something else from outside the mainstream of publishing you might find interesting: > Ms Marvel recently went to its sixth printing, a rare accomplishment in comics today. But chatting with Marvel executives at San Diego Comic Con I discovered more. That it sells more in digital than print,
consumer magazines
Private Frazer on the fate of Future [http://privatefraser.wordpress.com/2014/06/03/back-to-future/]: > Futureâs future apparently lies in âthe virtuous circle of engagement in two core content areas: reviews (when consumers are looking to make product purchase decisions and where we can derive ecommerce revenues) and
content strategy
[http://www.onemanandhisblog.com/archives/assets_c/2014/05/bw-blogging-3751.html] You might have noted a lack of long form stuff on here in recent weeks. Thatâs partially because itâs marking season and Iâm very busy right now, and partially because Iâve actually been publishing some
digital strategy
I donât really have much to add to the story about the sudden departure of The Telegraphâs editor Tony Gallagher. Roy Greenslade has the fullest account of Gallagherâs firing [http://www.theguardian.com/media/greenslade/2014/jan/21/tony-gallagher-telegraphmediagroup] â from a very Greensladian perspective⌠Given that thereâ
digital transition
[https://i0.wp.com/www.onemanandhisblog.com/content/images/2013/11/skull.jpg] The PPA [http://www.ppa.co.uk]âs CEO Barry McIlheney thinks that much of the work on the digital transition has been done: > He says he doesnât hear publishers talking as much about the